Giovanni giacometti

Alberto Giacometti

Alberto Giacometti (, US also , Italian:[alˈbɛrtodʒakoˈmetti]; 10 October 1901 – 11 January 1966) was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art.

Giacometti was one of the most important sculptors of the 20th century. His work was particularly influenced by artistic styles such as Cubism and Surrealism. Philosophical questions about the human condition, as well as existential and phenomenological debates played a significant role in his work. Around 1935, he gave up on his Surrealist influences to pursue a more deepened analysis of figurative compositions. Giacometti wrote texts for periodicals and exhibition catalogues and recorded his thoughts and memories in notebooks and diaries. His critical nature led to self-doubt about his own work and his self-perceived inability to do justice to his own artistic vision. His insecurities nevertheless remained a powerful motivating artistic force throughout his entire lif

Alberto Giacometti

Swiss sculptor and painter (1901–1966)

"Giacometti" redirects here. For other people named Giacometti, see Giacometti (surname). For the racehorse, see Giacometti (horse).

Alberto Giacometti

Alberto Giacometti (1948)
(photo by Emmy Andriesse)

Born(1901-10-10)10 October 1901

Borgonovo, Stampa, Graubünden, Switzerland

Died11 January 1966(1966-01-11) (aged 64)

Chur, Graubünden, Switzerland

EducationThe School of Fine Arts, Geneva
Known forSculpture, painting, drawing
Notable work
MovementSurrealism, Expressionism, Cubism, Formalism
Spouse

Annette Arm

(m. 1949)​
Awards"Grand Prize for Sculpture" at 1962 Venice Biennale
Websitefondation-giacometti.fr

Alberto Giacometti (,[1],[2][3][4]Italian:[alˈbɛrtodʒakoˈmetti]; 10 October 1901 – 11 January 1966) was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to

GIACOMETTI, Alberto (1901 - 1966)

Alberto Giacometti created a filiform and stylized figure, whose limbs seem to stretch out endlessly, as a symbol of the human being. A combination both of strange fragility and strong determination is expressed in this unrealistic figure.

Impenetrable yet disconcerting, Giacometti’s male figure has no individualized aspect; he is depicted only with his strangely uneven skin. Because of the lack of specific identification on his face, this figure exalts a universal impact which exerts an intriguing fascination on the spectator. Through this sculpture, Giacometti managed to capture the decisive moment where a man reveals an internal strength which stems from his own energy and momentum.

Alberto Giacometti’s walking man does not ask himself any questions; he simply comes from somewhere and is on his way elsewhere. His gaze fixed on the horizon, he strides decisively, forward in order to discover, to understand, as if he has a goal to pursue. With an awakened conscience, he travels through time to observe the world. His feet, anchored in the

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