Spagnoletto cesare negri biography

Born in Milan, he founded a dance academy there in 1554.
Nuove Inventioni Di Balli, Opera Vaghissima Di Cesare Negri Milanese Detto Il Trombone, Famoso, & eccellente Professore di Ballare.
Born in Milan, he founded a dance academy there in 1554.

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Cesare Negri(1535 – 1605) was an Italian dancer and choreographer. He was nicknamed il Trombone, an ugly or jocular name for someone "who likes to blow his own horn". Born in Milan, he founded a dance academy there in 1554. He was an active court choreographer for the nobility in Milan. He wrote Le Gratie d'Amore, the first text on ballet theory to expound the principle of the five basic positions. It was republished in 1604 as Nuove Inventioni di Balli (New Inventions of the Dance).

One of the most famous compositions from the le Gratie d`Amore collection is Bianco Fiore. The original written versions and arrangements seemed too simple and rather "boring" to me. In the Renaissance, improvisation, the development of a musical theme and ornamentation played an important role. At first, the musician played the basic main theme and then varied it in his own way. The writte

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Cesare Negri

Italian dancer and choreographer

Cesare Negri (c. 1535 – c. 1605) was an Italian dancer and choreographer. He was nicknamed il Trombone^{[citation needed]}, an ugly or jocular name for someone "who likes to blow his own horn". Born in Milan, he founded a dance academy there in 1554. He was an active court choreographer for the nobility in Milan. He wrote Le Grazie d'Amore, the first text on ballet theory to expound the principle of the five basic positions^{[citation needed]}. It was republished in 1604 as Nuove Inventioni di Balli (New Inventions of the Dance).

Like other masters of the time as mentioned above, Césare Negri wanted to reap the fruits of his work in a theoretical and practical treatise, so he wrote the treatise "Thanks of Love" in 1602 (La gratia d'amore) Whose second edition appeared under the title of "New Inventions of Dance", in 1604, where they describe the five fundamental positions of the academic dance.

It is a work that contains three parts, of which the second rule 55 technical rules, while in the third fig