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Human beings are incredibly odd creatures. Forget the whole “debating the nature of existence” thing. We’re the only animal on the planet that chooses to weld metal rods into the teeth of our own offspring in order to fix an evolutionary issue. Our species, at some point in the past, somehow managed to invent the concept of boredom despite the infinite wonder of the world and cosmos all around us, and we’re the only animal that uses melody to put forth our very deepest emotion and tragedy out into the world. We’re also, unsurprisingly, the only animal on the planet that lives on half-truths. Every other creature thrives on three basic, fully-realized ideas: First, they probably need to eat and not be eaten by something bigger than themselves, so long as the situation allows it. Second, they probably need to sleep when the giant flaming ball of gas in the sky can no longer be seen. Third, they probably need to mate — and desire to do so — with the details actively avoided.

People do all of these things, of course, but we also manage to live by and love concepts and

Romeo and Juliet Fantasy Overture

Romeo and Juliet Fantasy Overture Contents


PAGE THE ROMANTIC ERA PROGRAMME MUSIC OVERTURE RUSSIAN MUSIC: COMPOSERS TCHAIKOVSKY
Some of Tchaikovskys main compositions
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SHAKESPEARE AND ROMEO AND JULIET SONATA FORM THE WORK ORCHESTRATION TRANSPOSING INSTRUMENTS ANALYSIS INTRODUCTION EXPOSITION DEVELOPMENT RECAPITULATION CODA THEMES/SUBJECTS/MOTIFS COMPOSERS EUROPEAN RUSSIAN BIBLIOGRAPHY

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THE ROMANTIC ERA 18001900


The Romantic era was a time when there was considerable political upheaval in Europe and in Russia. It was also a time of liberation and of cultural change. In this industrial age is seen the emergence of the large symphony orchestra and the modern grand piano. Painters, poets and composers took Europe by storm with new ideals of individualism and freedom. This was a time of revolution and protest. The importance of self-expression became a major concern for the Romantic composers as did a preoccupation with nature. Nationalism began to take musical shape. The imaginative is stressed

Igor Stravinsky

Russian composer (1882–1971)

"Stravinsky" redirects here. For other uses, see Stravinsky (disambiguation).

Igor Fyodorovich Stravinsky[a][b] (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.

Born to a musical family in Saint Petersburg, Russia, Stravinsky grew up taking piano and music theory lessons. While studying law at the University of Saint Petersburg, he met Nikolai Rimsky-Korsakov and studied music under him until the latter's death in 1908. Stravinsky met the impresarioSergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes's Paris seasons: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), the last of which caused a near-riot at the premiere due to its avant-garde nature and later changed the way co

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